Hoogie-Boogie Land
I’m not sure where Hoogie-Boogie Land is or what you’re likely to find there, but apparently these guys can take you there. It’s quite an experience.

I’m not sure where Hoogie-Boogie Land is or what you’re likely to find there, but apparently these guys can take you there. It’s quite an experience.
This is almost certainly fake and probably part of some viral marketing campaign for Halo 3 or some other big budget project… but it’s totally the kind of UFO video I’ve been wanting to see my whole life. If this was real it would be the coolest thing ever filmed.
I’m not exactly sure how this works, but it’s awesome. I want my own private Chuck E Cheese robot band (or whatever this place is… Showboz Pizza or something).
via Boing Boing
Read the following (out-of-context) quote and try to imagine what the full article might be about. I guarantee it’s even weirder than you think.
Psychology student Bill Rifka — who is 35 and in a relationship with an iBook — admits he has “often flirted with many a sweet laptop on eBay and felt true desire.” Like all objectum-sexuals, Rifka also attributes a clear gender to his partner: “To me, my Mac is male. I’m living in a homosexual relationship, so to speak.”
This might be the best thing I’ve ever heard. From Boing Boing:
Police officer Edward Sanchez of Dearborn, Michigan made some pot brownies with his wife and got so paranoid that he called 911 for fear they were dying. The recording of the 911 call is absolutely insane. From a transcript:
Sanchez:I think I’m having an overdose. and so is my wife.
911: Overdose of what?
Sanchez: Marijuana…
Sanchez: We made brownies. and I think we’re dead. I really do…
Sanchez: Time is going by really, really, really slow…
Sanchez: What’s the score in the Red Wings game?
911: I’ve got no clue, i don’t watch the Red Wings.
Sanchez: I just wanted to make sure this isn’t some kind of hallucination I’m having.

The name “Modest Mouse” got me thinking…
Average Alligator.
Bashful Badger.
Coy Cougar.
Demure Dingo.
Ecomonical Emu.
Fair Ferret.
Good Groundhog.
Humble Hedgehog.
Inexpensive Iguana.
Just Jellyfish.
Kindly Kangaroo.
Lowly Lemur.
Meek Meerkat.
Nonchalant Newt.
Ordinary Octopus.
Prudent Porcupine.
Quiet Quail.
Reserved Raccoon.
Simple Squirrel.
Timid Tiger.
Unassuming Unicorn
Vanilla Vulture
Within-reason Whale.
Xylophone Xylophone.
Yielding Yak.
Zero Zebra.
I totally smell a children’s book.
Who wants to buy the rights to all these characters that I just invented, and now own the rights to, in perpetuity throughout the known universe and throughout such other universes or dimensions that may become known at some later date?
![[photo: Life-sized Mouse Trap]](http://www.sinch.net/wp-content/uploads/2007/04/playamousetrap.jpg)
Some of you may be too young for this, but there used to be a board game called Mouse Trap where you essentially built a Rube Goldberg version of a mouse trap. If you’ve ever seen Back to the Future or Pee Wee’s Big Adventure, you’ve seen a Rube Goldberg machine.
I don’t remember ever playing the game (although I’m sure I did), I just loved setting it up and watching the chain reaction unfold.
Apparently, though, I didn’t love it as much as whoever built this life-sized version of the game that will be officially unveiled next month at Maker Faire.

See more cats that look like Hitler.
A UFO was sighted at Lephalale, where it was described as a strange object “on an orange cloud, singing like a million turbines” - hitting the earth with a bang at 04:33 on Saturday.
Further news reports will probably say that this was simply a meteorite. Do not believe them.
When the UFO hit the ground the low-lying clouds went orange.
“It was so exceptional that I started crying. I wished my children and grandchildren could have seen it. I had not been drinking and I was in full control of my faculties,” she said.
File this under “Reasons we’re happy to not be signed to a major label anymore”.
Record labels are asking a panel of copyright judges to lower the rate they pay music publishers and songwriters for the use of the lyrics and melodies with which they create sound recordings.
The current rate is out of touch with reality, the RIAA argued for the labels in papers filed with the Copyright Royalty Judges. The rate hasn’t been adjusted by the government since 1981. Meanwhile, the labels, songwriters and music publishers have been able to make a deal.
The music industry has undergone such fundamental changes, the RIAA contends, that it’s time for the government to step in.
Basically what that means is that the RIAA, the group that represents all the major labels, is asking the government to step in and officially lower the “mechanical royalty” rate that they have to pay to artists and publishers in order to have the right to reproduce and sell their music. That’s right, they want to lower it. As if it’s not low enough already.
For those of you lucky enough to not have to figure out how all this stuff works, the mechanical royalty is the money the record labels pay to the writers and publishers for a piece of music.
This is separate from the royalty artists get from record sales. (I use the word “get” loosely here) That percentage is different depending on the artist and is negotiated when the artist signs the record deal, although only the most successful artists can negotiate a decent royalty… most bands get somewhere in the 10-15% range. And even then, with all the advances and deductions the labels make (sometimes without any good reason), most bands won’t make very much from actual sales royalties (if anything at all).
So a good place for an artist to actually make some money is from publishing. Artists receive publishing royalties from a variety of sources, including TV and radio stations that use their music. Another source are these mechanical royalties I keep mentioning.
The current mechanical royalty rate in the US (as far as I know) is something like $0.08 per song. Sounds pretty low already right? It gets better…
Based on that rate (which may be slightly off, but just for the sake of argument let’s say it’s not), if we released a new album with 14 songs on it, a label should be paying the publishing company (in this case, us) $1.12 for each album sold. The royalty is actually split between the writers and publishers, but in a lot of cases (as with us) the artist is both the writer and publisher. The labels apparently didn’t think that was fair so they decided to change the rules.
In most cases, a label will “negotiate” to pay you only a % of the going rate (usually around 75%). And on top of that they’ll cap the payment at 10 songs, so even if you release an album with 14 songs on it, you’re only getting paid for 10.
Instead of getting $1.12 per album sold, we’re now getting $0.60. On one sale it’s not much of a difference, but multiply that by a couple hundred thousand or a million and it starts to really add up.
This is how the system currently works. There’s a “statutory rate” that most labels don’t even pay and now they’re asking the government to officially lower it. I guess so they can not pay that lower amount and give artists even less money.
Their reasoning is supposedly that the system is now “out of whack” because publishers have found new ways of making money that don’t involve the record labels, ringtones being one of the big ones. Honestly I just don’t see how the two things are related. The labels’ business is selling records. What artists and publishers do outside of that world shouldn’t have anything to do with how much a label pays for the music it exploits to make all of its money.
To me it just sounds like the loser trying to change the rules and deal themselves back into the game.